Alliance Research Group: The Inside Story. Art & Interior 1750-1950

Between personal peasure and public relevance. Private collectors in Antwerp, Brussels and Ghent and the emergence of a national artistic canon 1830-1914

In search of a national (s)cul(p)ture. Belgian sculptors abroad and foreign sculptors in Belgium (c. 1815-1916)

Paint on rolls? Belgian modernists, household experts and residents concerning the use of wallpaper as an interior finish during the interwar period.

Posing questions: Male models and modernity in the Belgian art world (1830-1914)

Preserving historical urban warehouses by understanding their architecture and technology

Redefining Picturesque and Symbolist Qualities in the fin-de-siècle: the Case of Bruges “the Beautiful/the Dead”.

“Ses travaux sont nombreux et resteront longtemps utiles” Women and the Brussels’ museums, 1870-1945

Support Systems : The Hidden Labour Behind Art Making (Belgium, 1880-1920)

Urban bourgeois interiors as playgrounds for historically inspired styles, in search of national identity (Belgium, 1850-1913)

Forming and Performing Female Identities through Othering Interior Garments in Belle-Époque Belgium and France

Forming and Performing Female Identities through Othering Interior Garments in Belle-Époque Belgium and France

From Boudica to Morgan Le Fay: the perception of the celtic woman in victorian fine arts (1837-1901)

Reasoned online catalogue of the oeuvre of the Ghent painter Albert Baertsoen (1866-1922)

Retracing Ghent. City Views as Visual Discourses on the Local Past, c. 1500-1900