Con-Fluvial: an art-science-activist worlding activating awareness of hydro-ecologies.

NECROPOLIS UNITED: integrated data platform of dead and missing migrants in Europe

A 'corporeal reconstitution' of the (dance) performances of Sophie Taeuber and Emmy Hennings in Zurich Dada

Dialogues with Machines

Digitising the indigenous and indigenising the digital: Using new technologies to create ethically-minded paths for circulation of traditional dances.

Doctoral project Antonio Ramón Gázquez Martínez

Doctoral project Charlotte Dhont

Doctoral project Eline Denolf

Doctoral project Evelien Jonckheere

Doctoral project Goran Petrovic

Doctoral project Jan Steen

Doctoral project Jelena Kovačević-Jureša

Doctoral project Johan Opstaele

Doctoral project Kristof van Baarle

Doctoral project Laura Karreman

Doctoral project Liesa Van der Aa

Doctoral project Marieke Breyne

Doctoral project Orance Mahaldar

Doctoral project Renzo Martens

Doctoral project Sara Fontana

Doctoral project Silvia Defrance

Doctoral project Sofie de Smet

Doctoral project Sophie van den Bergh

Doctoral project Thomas Bellinck

Glass-House and Soft Stones. Artistic Explorations of Grafting and Pruning as Tools for Transformation.

Moving with Architecture. A Horizontal Interdisciplinary Approach to an Ecology of Architecture and Choreography

Staging the Musical Self(ie). Persona across Popular Music and Contemporary Performing Arts.

The position and role of the institutional dramaturg: an interdisciplinary analysis of institutional dramaturgy in Flemish and Dutch city-theatres.

The Sound of a Shared Intimacy. A Phenomenological Research into Sound(ing) and Listening in Performance Practices

Towards 'Documentary Choreography’ – Intermedial approaches in working with extra-aesthetic materials

Tracing the Essay in Performing Arts. Five Essay Pieces

Doctoral project Annelies Van Assche

Doctoral project Jeroen Coppens

Extended Characters: Opera’s Fascination with Reconfiguring the Character-Performer Relationship in the Twenty-First Century

POTA: Practicing Odin Teatret's Archive: training, transmission, interaction and creativity

Zenza Apprenticeship: Learning, Mentorship, and Resilience on and off Tokyo's yose Stages

Between accessibility and aesthetics: the translator agency at work in multilingual, postdramatic theatre in Brussels

Capturing Dance Movements, Intensities and Embodied Experiences: Research into New Possibilities of Digital Media for Dance Analaysis and Notation based on Face (1982) by Anne Teresa De Keersmaeker, ROSAS

Dancing on Common Ground. Labor and Aesthetics in Contemporary European Dance from Center to Periphery and back again.

Digitising the indigenous and indigenising the digital: Using new technologies to create ethically-minded paths for circulation of traditional dances..

Digitising the indigenous and indigenising the digital: Using new technologies to create ethically minded paths for circulation of traditional dances

Expanding the Notion of Trauma Narration: An Interdisciplinary Research into Post-Narrative Modes of Trauma Recovery in Transcultural Trauma Psychology and Theatre Studies

Hyphenated Thinking: Performance (Studies) Activating Ecological Encounters

Ich war auch dabei (I was also around). A “corporeal reconstitution” of the dance performances of Sophie Taeuber, Emmy Hennings and Suzanne Perrottet in Zurich Dada.

Institutionalized Resistance: Milo Rau's NTGent Period

Marqué par une image: research into the status of the (film)image concerning the paradisms of memory in postdramatic aesthetics

Masks, Puppets and Performance Objects as Tools of Critique, REsistance and Agency in South Africa; Developing a Situational, Embodied and Postdramatic Approach for Dealing with the Cultural Trauma of Apartheid

Moving with Architecture. A Horizontal Interdisciplinary Approach to an Ecology of Architecture and Choreography.

Postdramatic Aesthetics: Word - Sound - Image

Practicing Odin Teatret's archive: training transmission, interaction and creativity

Staging the Musical Self(ie). An Interdisciplinary Approach to the Subversive Potential of Musical Persona Performance in Times of Social Media.

The cultural memory commemorated at the theater. A philosophical historians and theater research into post-dramatic theater and performance as technologies of memory in a postmodern culture memory.

The essay following the new documentary turn in performing arts: Tracing the essay in contemporary theatre and performance practices.

The position and role of the institutional dramaturg: an interdisciplinary analysis of institutional dramaturgy in Flemish and Dutch city-theatres.

The Real Artworld? Mending the Gap between Dance Education and the Professional Field

Towards a Critical Posthuman Aesthetic: A Performance-Philosophical Research into the Configuration of Posthuman Figures on the Contemporary Stage of Kris Verdonck

Towards a relational understanding of trauma narration in coping with collective violence and exile: The interdisciplinary development of community-based mental health interventions for refugee posttrauma care

UGent Human Rights Research Network

Urban Academy: a collaboratorium for sustainability issues in Ghent

Choreografies of precariousness. A Transdisciplinary Study of the Working and Living Conditions in the Contemporary Dance Scenes of Brussels and Berlin

Conceptualising the differing body as disability-and-possability in dance through collaborative body-centred research methodologies

Distorted Characters: The Discrepancy Between Character and Singer in Twenty-First-Century Opera

Singing in between the cracks: Intracultural dialogues of sounding practices in virtual environments (Cantando F(r)estas)

The rhythm of revolting aesthetics. A participatory action research in the audiovisual arts of Maghrebi diaspora in Brussels

The spectacle of socialism. A transnational and interdisciplinary research on the social and architectural history of Workers’ Assembly Buildings in European cities (1890-1914).

University of California, Berkeley - UGent Partnership