Doctoral project Ala Subotniaya

Doctoral project Ann Cnop

Doctoral project Cornelis Vanistendael

Doctoral project Jeroen Billiet

Doctoral project Lieselotte Goessens

Doctoral project Liselotte Sels

Doctoral project Nils Vermeulen

Doctoral project Pauline Driesen

Doctoral project Samuel Comerford

Doctoral project Seppe Gebruers

Doctoral project Sergei Istomin

Doctoral project Yonatan Volfin

Extended Characters: Opera’s Fascination with Reconfiguring the Character-Performer Relationship in the Twenty-First Century

Intercultural participatory music practices: a musical Tower of Babel? Qualitative research that explores the potential role of intercultural participatory music practices in relation to socio-cultural participation of performing newcomers in Europe.

Ives the Progressive: a cultural-historical reconsideration of Charles Ives's philosophy of music

The Belgian contribution to the international history of the clarinet in 1830-1960.

Distorted characters. The discrepancy between character and singer in twenty-first-century opera

Distorted Characters: The Discrepancy Between Character and Singer in Twenty-First-Century Opera

Pluriversally created music in participatory processes Operationalizing cultural and societal participation through intercultural participatory music practices: ethnographic case studies with performing newcomers in Europe.

research in music history and music and social action

Situating Charles Ives music-historically: a transatlantic reconsideration of Ives’s aesthetics and music within the debate on absolute music

Situating Charles Ives music-historically: a transatlantic reconsideration of Ives’s aesthetics and music within the debate on absolute music

Robert Schumann’s and Richard Wagner’s 'Musikkritik': a stylistic analysis.