Research Explorer

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Researcher

Hélène Dubois

Awards & Distinctions

46 Results

2022

The turbulent material history of the Ghent altarpiece : an analysis integrating technical examination and historical sources (1432-1894)

Hélène DuboisMaximiliaan Martens

2021

Assisting classical paintings restoration : efﬁcient paint loss detection and descriptor-based inpainting using shared pretraining

Laurens MeeusShaoguang HuangNina ŽižakićXianghui XieBart DevolderHélène DuboisMaximiliaan MartensAleksandra Pizurica

Michiel Coxcie’s copies for the Spanish Court : a technical comparison between the copy of the Van Eycks’ Ghent Altarpiece and the copy of Rogier van der Weyden's Descent from the Cross

Laura AlbaLorne CampbellHélène DuboisJosé Juan Pérez-Preciado

Bookchapter in Copies of Flemish masters in the Hispanic world (1500-1700) : Flandes by substitution

The Ghent Altarpiece : research and conservation of the interior : the lower register

The conservation-restoration of the interior lower register of the Ghent Altarpiece

Hélène DuboisKathleen FroyenGriet SteyaertMarie PostecLaure MortiauxNathalie LaquièreFrançoise RosierBart DevolderCécile De Boulard

Bookchapter in The Ghent Altarpiece : research and conservation of the interior : the lower register

2020

Crack detection in paintings using convolutional neural networks

Roman SizyakinBruno CornelisLaurens MeeusHélène DuboisMaximiliaan MartensViacheslav VoroninAleksandra Pizurica

A1 Journal Article in IEEE ACCESS

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

Geert Van der SnicktKathryn A. DooleyJana SanyovaHélène DuboisJohn K. DelaneyE. Melanie GiffordStijn LegrandNathalie LaquiereKoen Janssens

A1 Journal Article in SCIENCE ADVANCES

Paint and polychromy : chemical investigation of the overpaints

Jana SanjovaGeert Van der SnicktHélène DuboisAlexia CoudrayKoen JanssensPeter Vandenabeele

Bookchapter in The Ghent altarpiece : research and conservation of the exterior

The authenticiy of the quatrain and other frame inscriptions

Susan JonesAnne-Sophie AugustyniakHélène Dubois

Bookchapter in The Ghent altarpiece : research and conservation of the exterior

Transformations in the sixteenth and seventeenth centuries

Hélène Dubois

Bookchapter in The Ghent altarpiece : research and conservation of the exterior

When, by whom and why? Decisive material and optical alterations of the Ghent Altarpiece

Hélène Dubois

Bookchapter in Van Eyck : an optical revolution

2019

Construction of a vision : Coremans’ approach to the study of Flemish Primitives before the restoration of the Adoration of the Mystic Lamb (the Ghent Altarpiece)

Hélène DuboisDominique Deneffe

Bookchapter in A man of vision : Paul Coremans and the preservation of cultural heritage worldwide : proceedings of the international symposium Paul Coremans, held in Brussels, 15-17 June 2015

Deep learning for paint loss detection with a multiscale, translation invariant network

Laurens MeeusShaoguang HuangBart DevolderHélène DuboisAleksandra Pizurica

Le quotidien d’un idéal : l’Agneau mystique, catalyseur de l’interdisciplinarité

Marie-Christine ClaesHélène DuboisJana Sanyova

Bookchapter in A man of vision : Paul Coremans and the preservation of cultural heritage worldwide : proceedings of the international symposium Paul Coremans, held in Brussels, 15-17 June 2015

2018

The Antwerp Maagdenhuis Washing and Anointing of the Body of Christ : Jordaens's complex modifications of his own work : genesis and conservation

Louise DecqHélène DuboisSteven SaverwynsDaniel Christiaens

Bookchapter in Reframing Jordaens : Pictor doctus, Techniken, Werkstattpraxis = Reframing Jordaens : Pictor doctus, techniques, workshop practice

The conservation history of the Ghent Altarpiece

Hélène Dubois

A1 Journal Article in BURLINGTON MAGAZINE

2017

'Revenons à notre Mouton’ : Paul Coremans, Erwin Panofsky, Martin Davies and the Mystic Lamb

Hélène DuboisJana SanyovaDominique Vanwijnsberghe

Large-area elemental imaging reveals Van Eyck's original paint layers on the Ghent Altarpiece (1432), rescoping its conservation treatment

Geert Van der SnicktHélène DuboisJana SanyovaStijn LegrandAlexia CoudrayCécile GlaudeMarie PostecPiet Van EspenKoen Janssens

A1 Journal Article in ANGEWANDTE CHEMIE-INTERNATIONAL EDITION

L’Agneau Mystique, 1950-2012 : regards critiques et perspectives futures

Françoise RosierHélène DuboisLivia DepuydtBart DevolderNathalie LaquièreMarie Postec

Michiel Coxcie’s copy as a formal reference of the material condition of the Ghent altarpiece in 1557

Hélène Dubois

Bookchapter in Der Genter Altar : Reproduktionenen, Forschungskontroversen

The Ghent altarpiece revisited : 2012-2017

Hélène DuboisAnne Van Grevenstein-Kruse

2016

Big Data Processing in Artwork Analysis

Ljiljana PlatisaBruno CornelisGabor FodorShaoguang HuangAttila FésüsJoachim DavidWenzhi LiaoTijana RuzicAnn DoomsMaximiliaan Martens et al.

Evaluation of the protective capacity of coatings on silver foil exposed to H2S, HCl and H3CCOOH as a model for the Ghent altarpiece gilded frames

Anastasia RousakiPeter VandenabeeleJana SanyovaHélène DuboisLuc Moens

Spectaculaire ontdekkingen op het Lam Gods van de gebroeders Van Eyck : de essentiële rol van de restaurateur = Découvertes spectaculaires sur l’agneau mystique des frères Van Eyck : le role essential du restaurateur

Marie PostecHélène DuboisBart DevolderLivia DepuydtNathalie LaquièreFrançoise RosierKoen JanssensGeert van der SnicktJana SanyovaPeter Vandenabeele et al.

2015

Digital image processing of the Ghent altarpiece : supporting the painting's study and conservation treatment

Aleksandra PizuricaLjiljana PlatisaTijana RuzicBruno CornelisAnn DoomsMaximiliaan MartensHélène DuboisBart DevolderMarc De MeyIngrid Daubechies

A1 Journal Article in IEEE SIGNAL PROCESSING MAGAZINE

Het doorzagen van de zijpanelen van het Lam Godsretabel in Berlijn in 1894 = Le sciage des panneaux latéraux de l'Agneau mystique à Berlin en 1894 = The sawing of the wings of the Ghent Altarpiece in Berlin in 1894

Hélène DuboisUte Stehr

Bookchapter in Van boomstam tot altaarstuk

2014

Making and transforming art : technology and interpretation

The splitting and restoration history of the six wings of the Ghent Altarpiece in Berlin

Ute StehrHélène Dubois

Bookchapter in The Ghent Altarpiece by the Brothers Van Eyck, history and appraisal

2013

Il vescovo Jacopo Pesaro e papa Alessandro VI davanti a San Pietro : la tecnica pittorica

Hélène DuboisArie Wallert

Bookchapter in Tiziano : Venezia e il papa Borgia

Technique d’une œuvre magistrale : le portrait de Nicolaes van Bambeeck par Rembrandt

Hélène DuboisFrançoise RosierLiesbeth De Belie

A4 Journal Article in BULLETIN DE L'INSTITUT ROYAL DU PATRIMOINE ARTISTIQUE

2012

Confrontation du connoisseurship et de l’approche technique autour de Rubens : reprises de finition et reprises d’expression dans les peintures monumentales rubéniennes

Hélène Dubois

Bookchapter in La restauration des peintures et des sculptures : connaissance et reconnaissance de l’œuvre

The Edelheere Triptych : a contemporary shadow of Van der Weyden’s Descent from the Cross’

Hélène DuboisChristina CurrieVéronique Vandekerchove

2011

Between creativity and economy : remarks on Rubens’ panel supports in the Royal Museums of Fine Arts of Belgium

Hélène DuboisPascale Fraiture

Bridging controversy : the contribution of an international commission of experts to the 1950-51 study and treatment of Van Eyck’s Ghent Altarpiece

Hélène DuboisAnne Van Grevenstein

Dendrochronological and technological examination of painting supports : the case of Rubens’s studio practice

Hélène DuboisPascale Fraiture

La technique picturale de Van Loon : une première approche

Jana SanyovaHélène DuboisSabine Van SprangCatherine Van HerckMarie-Annelle Mouffe

Bookchapter in Theodoor van Loon : 'pictor ingenius' et contemporain de Rubens

L’histoire matérielle et la restauration des tableaux de Van Loon conservés aux Musées royaux des Beaux-Arts de Belgique

Hélène DuboisSabine Van SprangCatherine Van HerckMarie-Annelle Mouffe

Bookchapter in Theodoor van Loon : 'pictor ingenius' et contemporain de Rubens

2010

Le portrait de Nicolaes Van Bambeeck, un traitement mûrement réfléchi

Françoise RosierHélène Dubois

2009

Is it possible to characterize pigments alteration phenomena? Non-destructive techniques. Visual observation, magnifying glass/stereomicroscope

Hélène Dubois

Bookchapter in Scientific examination for the investigation of paintings : a handbook for conservators-restorers

The master’s own hand ? Contribution to the study of Rubens’s retouching of monumental formats

Hélène Dubois

2008

Apport de l’étude matérielle des peintures de chevalet à l’interprétation des concepts issus de la théorie de la restauration de Cesare Brandi

Hélène Dubois

Bookchapter in Il pensiero di Cesare Brandi dalla teoria alla pratica = Cesare Brandi's thought from theory to practice, Atti dei Seminari di / Acts of the Seminars of München, Hildesheim, Valencia, Lisboa, London, Warsawa, Bruxelles, Paris

2007

Joachim Patinir and/or workshop : landscape with the Preaching of Saint John the Baptist, Brussels, Royal Museums of Fine Arts

Hélène DuboisStefaan Hautekeete

Bookchapter in Patinir : essays and critical catalogue

2000

Fragile devotion

Lizet KlaassenHélène Dubois

Bookchapter in Fabric of images : early European paintings on fabric supports in the fourteenth and fifteenth centuries

Use a little wax in your colours, but don’t tell anybody’ : sir Joshua Reynolds’s Painting Experiments with Wax and his Sources

Hélène Dubois

Bookchapter in Hamilton Kerr Institute Bulletin

1997

A late fifteenth century Italian Tüchlein

Hélène DuboisHerant KhanjianMichael ShillingArie Wallert

A2 Journal Article in ZEITSCHRIFT FÜR KUNSTTECHNOLOGIE UND KONSERVIERUNG

Early Italian painting : technique and analysis