Altered in style. A socio-cultural study of the 1550 repaint campaign of the Ghent Altarpiece

Art in frame. Interpreting frames in the sixteenth-century Low Countries.

Artists' Collections in the Early Modern Netherlands (c. 1600-c. 1700)

Celebrating knowledge. Iconological analysis of the representations in handwritten lecture notebooks of the Southern Low Countries (17th-18th centuries)

Copying the master or mastering the copy? Creative copying as a mediator between artistic practice and emerging art theory in the early 16th-century Low Countries.

DARK ENERGY: The Women Who Powered Flemish Arts, 1580–1715

Hive Mind: Networks, collectivity, and mentorship amongst women artists, patrons, and collectors in the Low Countries in the early modern period.

Made to Measure: Constructions of the Body in Early Modern Europe

Painted and Material Interiors in the 15th and 16th-Century Low Countries: Towards a Spatial Turn of Domestic Material Culture

Peter Paul Rubens and the distribution of secret knowledge in Antwerp and Italy.

Pompa Introitus Ferdinandi and Torre de la Parada. Large-scale Projects as Career Stepping Stone in the Age of Rubens?

Printing images in the early modern Low Countries. Patents, copyrights, and the separation of art and technology, 1555-1795

Printing images in the early modern Low Countries. Patents, copyrights, and the separation of art and technology, 1555-1795

Rubens' questies

Digital innovation for man and society

Renovating the church: material culture, Habsburg ritual and early Counter-Reformation experiments in the Low Countries (c. 1535-1585)

The eighteenth century triple pegbox lute: from instrument to theory and back

The Psychoanalytic Image