Antwerp virginal making between ca. 1550 and ca. 1690.

Before Rubens: Titian’s reception in the Habsburg Netherlands, c. 1550-1600

Body Pose(d): Body Posture in Seventeenth-century Dutch Male Portraiture

Der feierliche Einzug des Kardinalinfanten Ferdinand von Spanien in Antwerpen (1635). Ein Beispiel frühmodernen Projektmanagements

Doctoral project Elizabeth Vandeweghe

Doctoral project Maria Gertruda van Wamel

Doctoral project Marlise Rijks

Doctoral project Sophie Suykens

Doctoral project Teresa Esposito

Doctoral project Tom Callemin

Emulation, Imitation, Replication? The art of copying in the age of religious reform and artistic progress

Painted and Material Interiors in the 15th and 16th-Century Low Countries: Towards a Spatial Turn of Domestic Material Culture

The northern European community in Rome at the beginning of the 16th century: the role of cardinal Willem van Enckenvoirt.

Doctoral project Inge Misschaert

Doctoral project Melina Reintjens

Doctoral project Ruben Suykerbuyk

Altered in style. A socio-cultural study of the 1550 repaint campaign of the Ghent Altarpiece

Art in frame. Interpreting frames in the sixteenth-century Low Countries.

Artists' Collections in the Early Modern Netherlands (c. 1600-c. 1700)

Celebrating knowledge. Iconological analysis of the representations in handwritten lecture notebooks of the Southern Low Countries (17th-18th centuries)

Copying the master or mastering the copy? Creative copying as a mediator between artistic practice and emerging art theory in the early 16th-century Low Countries.

DARK ENERGY: The Women Who Powered Flemish Arts, 1580–1715

Hive Mind: Networks, collectivity, and mentorship amongst women artists, patrons, and collectors in the Low Countries in the early modern period.

Made to Measure: Constructions of the Body in Early Modern Europe

Painted and Material Interiors in the 15th and 16th-Century Low Countries: Towards a Spatial Turn of Domestic Material Culture

Peter Paul Rubens and the distribution of secret knowledge in Antwerp and Italy.

Pompa Introitus Ferdinandi and Torre de la Parada. Large-scale Projects as Career Stepping Stone in the Age of Rubens?

Printing images in the early modern Low Countries. Patents, copyrights, and the separation of art and technology, 1555-1795

Printing images in the early modern Low Countries. Patents, copyrights, and the separation of art and technology, 1555-1795

Rubens' questies

Digital innovation for man and society

Renovating the church: material culture, Habsburg ritual and early Counter-Reformation experiments in the Low Countries (c. 1535-1585)

The eighteenth century triple pegbox lute: from instrument to theory and back

The Psychoanalytic Image