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In het Nederlands
Copying the master or mastering the copy? Creative copying as a mediator between artistic practice and emerging art theory in the early 16th-century Low Countries.
Outputs and Outcomes
Mastering divine faces : Titian's sacred images of Christ and the Virgin for Charles V
Copies of Flemish masters in the Hispanic world (1500-1700) : Flandes by substitution
Between noble judgement and artistic taste : Titian and Coxcie’s images of Christ and the Virgin for Charles V
‘Standing on the shoulders of giants’ : copying and the Habsburg collection policy