Research Explorer

Your browser does not support JavaScript or JavaScript is not enabled. Without JavaScript some functions of this webapplication may be disabled or cause error messages. To enable JavaScript, please consult the manual of your browser or contact your system administrator.

Researcher

Ulrike Müller

Awards & Distinctions

19 Results

2024

Private collectors in Brussels, Antwerp, and Ghent, ca. 1780-1914 : between public relevance and personal pleasure

2022

Art and domestic space : continuity and change in private collectors’s interiors in Belgium, c. 1830-1930

Ulrike MüllerMarjan Sterckx

Bookchapter in Domestic space in France and Belgium : art, literature and design, 1850-1920

2019

Between public relevance and personal pleasure : private art and antique collectors in Brussels, Antwerp and Ghent, ca. 1780-1914

Ulrike MüllerMarjan SterckxIlja Van Damme

2018

A private collection in the public sphere : the Brussels art gallery in the nineteenth century

Bookchapter in Arenberg : portrait of a family, story of a collection

Een privécollectie in de publieke ruimte : particulier bezit in het museumtijdperk

Bookchapter in Arenberg : portret van een familie, verhaal van een verzameling

Goetghebuer en co : kunst- en antiekverzamelaars in Gent in de negentiende eeuw

Une collection privée dans l’espace public : la galerie d’Arenberg au XIXe siècle

Bookchapter in Arenberg : portrait d’une famille, l’histoire d’une collection

2017

The amateur and the public sphere : private collectors in Brussels, Antwerp and Ghent through the eyes of European travellers in the long nineteenth century

A1 Journal Article in JOURNAL OF THE HISTORY OF COLLECTIONS

Travel guides and travelogues as sources to examine the collector’s role in art and heritage preservation : the case of Belgium (ca. 1780-1914)

Bookchapter in Le guide touristique : lieu de rencontre entre lexique et images du patrimoine

2016

Modern domesticity: a total work of art? Interiors of Belgian private art collectors, c. 1850-1920

Ulrike MüllerMarjan Sterckx

Netherlandish stained glass roundels in private collections in nineteenth-century Ghent: display, function and meaning

2015

Belgian private collectors through the eyes of 19th-century tourists: travel guides and travelogues as sources to examine the collector's role in art and heritage preservation (ca. 1790-1914)

Particuliere kunst- en antiekverzamelaars in negentiende-eeuws Gent, door de lens van internationale reisliteratuur

A2 Journal Article in HANDELINGEN DER MAATSCHAPPIJ VOOR GESCHIEDENIS EN OUDHEIDKUNDE TE GENT

Stained glass and the (re-) creation of an ideal past: the Mayer van den Bergh collection in Antwerp around 1900

A2 Journal Article in REVISTA DE HISTORIA DE ARTE : SERIE W

Stained glass and the (re-) creation of an ideal past: the Mayer van den Bergh collection in Antwerp around 1900

2014

Between personal pleasure and public relevance: private collectors in Antwerp, Brussels and Ghent and the emergence of a national artistic canon 1830-1914

De privé-verzamelaar als actor binnen de kunsthistorische representatie van het verleden

2013

Fritz en Henriëtte Mayer van den Bergh

Claire BaisierUlrike Müller

Bookchapter in 500 jaar verzamelen in Antwerpen : een passioneel verhaal

International alliances, local boundaries: social and professional networks of the nineteenth-century Antwerp art collectors Florent van Ertborn and Fritz Mayer van den Bergh