Manage settings
MENU
About this site
In het Nederlands
Home
Researchers
Projects
Organisations
Publications
Contact
Research Explorer
Your browser does not support JavaScript or JavaScript is not enabled. Without JavaScript some functions of this webapplication may be disabled or cause error messages. To enable JavaScript, please consult the manual of your browser or contact your system administrator.
Researcher
Joséphine Vandekerckhove
Profile
Projects
Publications
Activities
Awards & Distinctions
22
Results
2023
De sensualiteit van het oudere lichaam. Een gesprek met Joan Semmel
Joséphine Vandekerckhove
[0-9]{2}
2023
Ekphrasis in the cinema : Belgian and Italian post-war art documentaries as creative art criticism
Joséphine Vandekerckhove
Bookchapter
in
Arte y patrimonio en el audiovisual
2023
2022
De ravenmoeder huilt : over ‘Wet Job’ van Camille Henrot
Joséphine Vandekerckhove
Article in a magazine
2022
Picturing Picasso : revisiting Paul Haesaerts’s visite à Picasso (1950)
Steven Jacobs
Joséphine Vandekerckhove
Bookchapter
in
Screening the art world
2022
Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952)
Joséphine Vandekerckhove
A2
Journal Article
in
ARTS
2022
Sophie Calle, Les fantômes d’Orsay
Joséphine Vandekerckhove
A4
Journal Article
in
DE WITTE RAAF
2022
Welkenraedt
Joséphine Vandekerckhove
Article in a magazine
2022
Wide Angle : verloren woorden en herwonnen tijd in Un Beau Matin (2022) van Mia Hansen-Løve
Joséphine Vandekerckhove
Blog post
2022
2021
De stad in mij
Joséphine Vandekerckhove
Article in a magazine
2021
Michelangelo in motion : Carlo Ludovico Ragghianti's critofilm Michelangiolo (1964)
Joséphine Vandekerckhove
A1
Journal Article
in
SOURCE-NOTES IN THE HISTORY OF ART
2021
Michelangelo in motion : the artist’s sculptures in mid-century films on art
Joséphine-Charlotte Vandekerckhove
C3
Conference
2021
R. H. Quaytman, 'Modern Subjects, Chapter Zero'
Joséphine Vandekerckhove
A4
Journal Article
in
DE WITTE RAAF
2021
2020
Art history in the cinema : Rubens (1948) and Paul Haesaerts’s concept of cinéma critique
Steven Jacobs
Joséphine-Charlotte Vandekerckhove
Bookchapter
in
Art in the cinema : the mid-century art documentary
2020
Cinematic explorations of the Italian High Renaissance : Carlo Ludovico Ragghianti’s critofilm ‘Michelangiolo’ (1964)
Joséphine-Charlotte Vandekerckhove
C3
Conference
2020
Engelen van de toekomst : Wim Wenders' 'Der Himmel über Berlin' (1987)
Joséphine Vandekerckhove
Other
2020
Ensor in the popular imagination: Paul Haesaerts’s film Masques et visages de James Ensor (1952)
Joséphine-Charlotte Vandekerckhove
A1
Journal Article
in
SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART
2020
Flandre : essai sur l’art flamand depuis 1880
Joséphine-Charlotte Vandekerckhove
Bookreview
2020
Onder het zwarte masker : Paul Haesaerts’ filmische analyse van de Congolese kunst
Joséphine-Charlotte Vandekerckhove
Steven Jacobs
Bookchapter
in
100 x Congo : een eeuw Congolese kunst in Antwerpen
2020
Sous le masque noir : une analyse cinématographique de l’art congolais par Paul Haesaerts
Joséphine-Charlotte Vandekerckhove
Steven Jacobs
Bookchapter
in
100 x Congo : un siècle d’art Congolais à Anvers
2020
2019
James Ensor, Paul Haesaerts and Cinéma Critique in 'Masques et Visages de James Ensor' (1952) and 'Moi, Ensor' (1972)
Joséphine-Charlotte Vandekerckhove
C3
Conference
2019
© Cobra : fotografie, film en drukwerk
Griet Bonne
Joséphine-Charlotte Vandekerckhove
Marit Van der Jeugt
Book
2019
2018
Sculpture in Film : Paul Haesaerts's 'Le Parc Middelheim. Musée Internationale de la Sculpture' (1953) and 'La Joie de Rik Wouters' (1966)
Joséphine-Charlotte Vandekerckhove
C3
Conference
2018