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Researcher
Joséphine-Charlotte Vandekerckhove
Profile
Projects
Publications
Activities
Awards & Distinctions
24
Results
2024
Chantal Akerman. Travelling
Joséphine-Charlotte Vandekerckhove
U
Journal Article
in
De Witte Raaf
2024
2023
Commemorating Michelangelo in Film: Cinematic Explorations of the Artist's Sculptures During the 1964 Michelangelo Celebrations
Joséphine-Charlotte Vandekerckhove
Bookchapter
in
(Im)material Michelangelo: Toward a Visual Historiography of Sculpture Between Reproduction and Art-Historical Enquiry
2023
De sensualiteit van het oudere lichaam : een gesprek met Joan Semmel
Joséphine Vandekerckhove
Article in a magazine
2023
Ekphrasis in the cinema : Belgian and Italian post-war art documentaries as creative art criticism
Joséphine Vandekerckhove
Bookchapter
in
Arte y patrimonio en el audiovisual
2023
2022
De ravenmoeder huilt : over ‘Wet Job’ van Camille Henrot
Joséphine-Charlotte Vandekerckhove
Article in a magazine
2022
Picturing Picasso : revisiting Paul Haesaerts’s visite à Picasso (1950)
Steven Jacobs
Joséphine Vandekerckhove
Bookchapter
in
Screening the art world
2022
Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952)
Joséphine-Charlotte Vandekerckhove
A2
Journal Article
in
ARTS
2022
Sophie Calle, Les fantômes d’Orsay
Joséphine Vandekerckhove
A4
Journal Article
in
DE WITTE RAAF
2022
Welkenraedt
Joséphine Vandekerckhove
Article in a magazine
2022
Wide Angle : verloren woorden en herwonnen tijd in Un Beau Matin (2022) van Mia Hansen-Løve
Joséphine Vandekerckhove
Blog post
2022
2021
De stad in mij
Joséphine-Charlotte Vandekerckhove
Article in a magazine
2021
Michelangelo in motion : Carlo Ludovico Ragghianti's critofilm Michelangiolo (1964)
Joséphine Vandekerckhove
A1
Journal Article
in
SOURCE-NOTES IN THE HISTORY OF ART
2021
Michelangelo in motion : the artist’s sculptures in mid-century films on art
Joséphine Vandekerckhove
C3
Conference
2021
R. H. Quaytman, 'Modern Subjects, Chapter Zero'
Joséphine-Charlotte Vandekerckhove
A4
Journal Article
in
DE WITTE RAAF
2021
2020
Art history in the cinema : Rubens (1948) and Paul Haesaerts’s concept of cinéma critique
Steven Jacobs
Joséphine Vandekerckhove
Bookchapter
in
Art in the cinema : the mid-century art documentary
2020
Cinematic explorations of the Italian High Renaissance : Carlo Ludovico Ragghianti’s critofilm ‘Michelangiolo’ (1964)
Joséphine Vandekerckhove
C3
Conference
2020
Engelen van de toekomst : Wim Wenders' 'Der Himmel über Berlin' (1987)
Joséphine Vandekerckhove
Other
2020
Ensor in the popular imagination: Paul Haesaerts’s film Masques et visages de James Ensor (1952)
Joséphine Vandekerckhove
A1
Journal Article
in
SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART
2020
Flandre : essai sur l’art flamand depuis 1880
Joséphine Vandekerckhove
Bookreview
2020
Onder het zwarte masker : Paul Haesaerts’ filmische analyse van de Congolese kunst
Joséphine Vandekerckhove
Steven Jacobs
Bookchapter
in
100 x Congo : een eeuw Congolese kunst in Antwerpen
2020
Sous le masque noir : une analyse cinématographique de l’art congolais par Paul Haesaerts
Joséphine Vandekerckhove
Steven Jacobs
Bookchapter
in
100 x Congo : un siècle d’art Congolais à Anvers
2020
2019
James Ensor, Paul Haesaerts and Cinéma Critique in 'Masques et Visages de James Ensor' (1952) and 'Moi, Ensor' (1972)
Joséphine Vandekerckhove
C3
Conference
2019
© Cobra : fotografie, film en drukwerk
Griet Bonne
Joséphine Vandekerckhove
Marit Van der Jeugt
Book
2019
2018
Sculpture in Film : Paul Haesaerts's 'Le Parc Middelheim. Musée Internationale de la Sculpture' (1953) and 'La Joie de Rik Wouters' (1966)
Joséphine Vandekerckhove
C3
Conference
2018