Research Explorer

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Researcher

Joséphine-Charlotte Vandekerckhove

Awards & Distinctions

25 Results

2025

Art historians in the cinema : mid-century films on art by Paul Haesaerts and Carlo Ludovico Ragghianti

Joséphine VandekerckhoveSteven JacobsSimona Brunetti

2024

Chantal Akerman, Travelling

Joséphine Vandekerckhove

Exhibition review

2023

Commemorating Michelangelo in film : cinematic explorations of the artist's sculptures during the 1964 Michelangelo celebrations

Joséphine Vandekerckhove

Bookchapter in (Im)material Michelangelo : toward a visual historiography of sculpture between reproduction and art-historical enquiry

De sensualiteit van het oudere lichaam : een gesprek met Joan Semmel

Joséphine Vandekerckhove

Article in a magazine

Ekphrasis in the cinema : Belgian and Italian post-war art documentaries as creative art criticism

Joséphine Vandekerckhove

Bookchapter in Arte y patrimonio en el audiovisual

2022

De ravenmoeder huilt : over ‘Wet Job’ van Camille Henrot

Joséphine Vandekerckhove

Article in a magazine

Picturing Picasso : revisiting Paul Haesaerts’s visite à Picasso (1950)

Steven JacobsJoséphine Vandekerckhove

Bookchapter in Screening the art world

Quatre peintres Belges au travail : Paul Haesaerts’s film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952)

Joséphine Vandekerckhove

A2 Journal Article in ARTS

Sophie Calle, Les fantômes d’Orsay

Joséphine Vandekerckhove

A4 Journal Article in DE WITTE RAAF

Joséphine Vandekerckhove

Article in a magazine

Wide Angle : verloren woorden en herwonnen tijd in Un Beau Matin (2022) van Mia Hansen-Løve

Joséphine Vandekerckhove

2021

Joséphine Vandekerckhove

Article in a magazine

Michelangelo in motion : Carlo Ludovico Ragghianti's critofilm Michelangiolo (1964)

Joséphine Vandekerckhove

A1 Journal Article in SOURCE-NOTES IN THE HISTORY OF ART

Michelangelo in motion : the artist’s sculptures in mid-century films on art

Joséphine Vandekerckhove

R. H. Quaytman, 'Modern Subjects, Chapter Zero'

Joséphine Vandekerckhove

A4 Journal Article in DE WITTE RAAF

2020

Art history in the cinema : Rubens (1948) and Paul Haesaerts’s concept of cinéma critique

Steven JacobsJoséphine Vandekerckhove

Bookchapter in Art in the cinema : the mid-century art documentary

Cinematic explorations of the Italian High Renaissance : Carlo Ludovico Ragghianti’s critofilm ‘Michelangiolo’ (1964)

Joséphine Vandekerckhove

Engelen van de toekomst : Wim Wenders' 'Der Himmel über Berlin' (1987)

Joséphine Vandekerckhove

Ensor in the popular imagination: Paul Haesaerts’s film Masques et visages de James Ensor (1952)

Joséphine Vandekerckhove

A1 Journal Article in SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART

Flandre : essai sur l’art flamand depuis 1880

Joséphine Vandekerckhove

Onder het zwarte masker : Paul Haesaerts’ filmische analyse van de Congolese kunst

Joséphine VandekerckhoveSteven Jacobs

Bookchapter in 100 x Congo : een eeuw Congolese kunst in Antwerpen

Sous le masque noir : une analyse cinématographique de l’art congolais par Paul Haesaerts

Joséphine VandekerckhoveSteven Jacobs

Bookchapter in 100 x Congo : un siècle d’art Congolais à Anvers

2019

James Ensor, Paul Haesaerts and Cinéma Critique in 'Masques et Visages de James Ensor' (1952) and 'Moi, Ensor' (1972)

Joséphine Vandekerckhove

© Cobra : fotografie, film en drukwerk

Griet BonneJoséphine VandekerckhoveMarit Van der Jeugt

2018

Sculpture in Film : Paul Haesaerts's 'Le Parc Middelheim. Musée Internationale de la Sculpture' (1953) and 'La Joie de Rik Wouters' (1966)

Joséphine Vandekerckhove