Griet Bonne studied Art History and Curatorial Studies at Ghent University. In her PhD-project (Ghent University, FWO-fellowship), she examines mechanical reproducibility through the case study of Rubens. In 2019 Bonne co-curated the exhibition "Copyright Cobra: Photography, Film, Prints" (VANDENHOVE, Ghent). Recent publications include “The Copy and the Real Thing” (Artl@s Bulletin, 2021), “Moved by Rubens” (Transcript Verlag, 2021), “Visualizing Rubens in Modern Art History” (Bielefeld University Press, 2022) and “Panoramic Ambitions” (History of Photography, 2023). On 9-10 February, 2023, she organized the symposium and film program "Rubens in the Age of Mechanical Reproduction: (Un)packing the Rubenianum Library" (Rubenianum and De Cinema, Antwerp).