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Researcher
Dirk Moelants
Profile
Projects
Publications
Activities
Awards & Distinctions
104
Results
2020
All eyes on me : behaving as soloist in duo performances leads to increased body movements and attracts observers' visual attention
Mats Küssner
Edith Van Dyck
Birgitta Burger
Dirk Moelants
Pieter Vansteenkiste
A1
Journal Article
in
MUSIC PERCEPTION
2020
2019
Exploring the effect of tempo-changes on violinists’ body movements
Esther Coorevits
Dirk Moelants
Pieter-Jan Maes
Marc Leman
A1
Journal Article
in
MUSICAE SCIENTIAE
2019
2017
Visual and auditory cues in music performance and their role in attracting attention from the audience
Dirk Moelants
Edith Van Dyck
Pieter Vansteenkiste
Marc Leman
C3
Conference
2017
2016
Decomposing a composition : on the multi-layered analysis of expressive music performance
Esther Coorevits
Dirk Moelants
Stefan Östersjö
David Gorton
Marc Leman
P1
Conference
2016
Single gesture cues for interpersonal synchronization
Esther Coorevits
Dirk Moelants
Marc Leman
C3
Conference
2016
Tempo in Baroque music and dance
Esther Coorevits
Dirk Moelants
A1
Journal Article
in
MUSIC PERCEPTION
2016
2015
Synchronization in ensemble performance: the sniff as a temporal cue
Esther Coorevits
Dirk Moelants
C3
Conference
2015
The influence of tempo on expressive timing: a multimodal approach
Esther Coorevits
Dirk Moelants
Pieter-Jan Maes
Marc Leman
C3
Conference
2015
2014
Austerity measures
Esther Coorevits
Dirk Moelants
David Groton
Stefan Östersjö
C3
Conference
2014
Evolution of timing through instrumental practice by violinists and clarinettists
Dirk Moelants
Luc Nijs
Marc Leman
C3
Conference
2014
Gesture as a communicative tool in vocal pedagogy
Katty Kochman
Dirk Moelants
Marc Leman
A2
Journal Article
in
JOURNAL OF INTERDISCIPLINARY MUSIC STUDIES
2014
Tempo in Baroque music and dance
Esther Coorevits
Dirk Moelants
C1
Conference
2014
2013
Activating and relaxing music entrains the speed of beat synchronized walking
Marc Leman
Dirk Moelants
Matthias Varewyck
Frederik Styns
Leon van Noorden
Jean-Pierre Martens
A1
Journal Article
in
PLOS ONE
2013
Applications in music education
Dirk Moelants
Bookchapter
in
The power of music : researching musical experiences : a viewpoint from IPEM
2013
Tempo in Baroque music and dance
Esther Coorevits
Dirk Moelants
C3
Conference
2013
The impact of the bass drum on human dance movement
Edith Van Dyck
Dirk Moelants
Michiel Demey
Alexander Deweppe
Pieter Coussement
Marc Leman
A1
Journal Article
in
MUSIC PERCEPTION
2013
2012
Respiration as a indicator of embodied music cognition in collaborative vocal performance
Katty Kochman
Matthias Demoucron
Dirk Moelants
Marc Leman
C3
Conference
2012
Respiration as a tool for nonverbal communication in accompanied vocal performance
Katty Kochman
Matthias Demoucron
Dirk Moelants
Marc Leman
C1
Conference
2012
Sound caterpillar: assesment and training of sound and music perception skills in hearing impaired children
Leen De Bruyn
Birgit Philips
Dirk Moelants
Pieter Coussement
Marc Leman
Ingeborg Dhooge
C3
Conference
2012
The influence of an audience on performers: a comparison between rehearsal and concert using audio, video and movement data
Dirk Moelants
Michiel Demey
Maarten Grachten
Chia-Fen Wu
Marc Leman
A1
Journal Article
in
JOURNAL OF NEW MUSIC RESEARCH
2012
Using narrative analysis to map the control parameters of enhanced operatic singing
Katty Kochman
Pieter Coussement
Dirk Moelants
Marc Leman
A1
Journal Article
in
JOURNAL OF NEW MUSIC RESEARCH
2012
2011
A case-study investigation of respiration in operatic singing: an implementation of research design and applications
Katty Kochman
Michiel Demey
Dirk Moelants
Marc Leman
A2
Journal Article
in
JOURNAL OF INTERDISCIPLINARY MUSIC STUDIES
2011
An embodied approach to testing musical empathy in subjects with an autism spectrum disorder
Leen De Bruyn
Dirk Moelants
Marc Leman
A2
Journal Article
in
MUSIC AND MEDICINE
2011
Conveying syncopation in music performance
Dirk Moelants
C3
Conference
2011
Performance and perception of 'Phase shifting'
Dirk Moelants
Stephan Weytjens
Jeroen D'Hoe
C3
Conference
2011
The performance of notes inégales: the influence of tempo, musical structure and individual performance style on expressive timing
Dirk Moelants
A1
Journal Article
in
MUSIC PERCEPTION
2011
2010
Access to ethnic music: advances and perspectives in content-based music information retrieval
Olmo Cornelis
Micheline Lesaffre
Dirk Moelants
Marc Leman
A1
Journal Article
in
SIGNAL PROCESSING
2010
Analysis and automatic annotation of singer's postures during concert and rehearsal
Maarten Grachten
Michiel Demey
Dirk Moelants
Marc Leman
C1
Conference
2010
Do children benefit from specialist music education? Sound discrimination abilities in musically trained versus musically untrained children
Leen De Bruyn
Dirk Moelants
Pieter Coussement
Marc Leman
C3
Conference
2010
From expressive gesture to sound: the development of an embodied mapping trajectory inside a musical interface
Pieter-Jan Maes
Marc Leman
Micheline Lesaffre
Michiel Demey
Dirk Moelants
A1
Journal Article
in
JOURNAL OF MULTIMODAL USER INTERFACES
2010
Investigating age related differences in timbre representation and discrimination
Leen De Bruyn
Dirk Moelants
Marc Leman
C3
Conference
2010
Partimento and continuo playing: in theory and practice
Book editor
2010
Performance micro-gestures related to musical expressiviness
Jin Hyun Kim
Michiel Demey
Dirk Moelants
Marc Leman
C1
Conference
2010
Respiration as an emotional tool in operatic singing
Katty Kochman
Marc Leman
Dirk Moelants
Chia-Fen Wu
C1
Conference
2010
Taking the Phantom out of the opera: creating child-friendly opera performances
Chia-Fen Wu
Dirk Moelants
Josephine Schreibers
Marc Leman
C3
Conference
2010
The impact of the bass drum on body movement in spontaneous dance
Edith Van Dyck
Dirk Moelants
Michiel Demey
Pieter Coussement
Alexander Deweppe
Marc Leman
C1
Conference
2010
2009
An interactive sound recognition game for primary school children
Leen De Bruyn
Dirk Moelants
Pieter Coussement
Marc Leman
C1
Conference
2009
An interactive sound recognition game for primary school children
Leen De Bruyn
Dirk Moelants
Pieter Coussement
Marc Leman
C3
Conference
2009
Binary-ternary ambiguity in tempo perception
Dirk Moelants
C3
Conference
2009
Concepts, technology and assessment of the social music game 'sync-in-team'
Marc Leman
Michiel Demey
Micheline Lesaffre
Leon van Noorden
Dirk Moelants
C1
Conference
2009
Does social interaction activate music listeners?
Leen De Bruyn
Marc Leman
Dirk Moelants
Michiel Demey
P1
Conference
2009
EmcoMetecca-Vlaams 'center of excellence' voor systematische musicologie
Dirk Moelants
C3
Conference
2009
Exploring African tone scales
Dirk Moelants
Olmo Cornelis
Marc Leman
C1
Conference
2009
Global access to ethnic music: the next big challenge?
Olmo Cornelis
Dirk Moelants
Marc Leman
C1
Conference
2009
Integration of music information retrieval techniques into the practice of ethnic music collections
Micheline Lesaffre
Olmo Cornelis
Dirk Moelants
Marc Leman
C3
Conference
2009
Interacting with the public: a comparison of concert and rehearsal performance using sound, video and movement recordings
Chia-Fen Wu
Dirk Moelants
Marc Leman
C3
Conference
2009
Performing in concert and in rehearsal: a comparison using audio, video and movement data
Dirk Moelants
Chia-Fen Wu
Michiel Demey
Marc Leman
C1
Conference
2009
Performing music with delayed auditory feedback
Dirk Moelants
Michiel Demey
Marc Leman
C1
Conference
2009
2008
De kunst van Morton Feldman
Dirk Moelants
A4
Journal Article
in
Concertgebouw (BRUGGE)
2008
Hype vs. Natural Tempo: a Long-term Study of Dance Music Tempi
Dirk Moelants
C1
Conference
2008
Measuring and Quantifying the Impact of Social Interaction on Listeners' Movement to Music
Leen De Bruyn
Marc Leman
Dirk Moelants
Michiel Demey
F DE SMET
C1
Conference
2008
Notes Inégales in Contemporary Performance Practice
Dirk Moelants
C1
Conference
2008
Quantifying Children’s Embodiment of Musical Rhythm in Individual and Group Settings
Leen De Bruyn
Marc Leman
Dirk Moelants
C1
Conference
2008
2007
Acoustic and physiological characteristics of 20th century vocal techniques
H ONO
Dirk Moelants
C1
Conference
2007
Discovering the key of an audio piece by singing
Eveline Heylen
Dirk Moelants
Marc Leman
C1
Conference
2007
Embodied listening performances reveal relationships between movements of player and listeners
Marc Leman
F DESMET
Frederik Styns
Leo Van Noorden
Dirk Moelants
C1
Conference
2007
Evaluation of audio beat tracking and music tempo extraction algorithms
MF MCKINNEY
Dirk Moelants
MEP DAVIES
A KLAPURI
A1
Journal Article
in
JOURNAL OF NEW MUSIC RESEARCH
2007
Music retrieval by rhythmic similarity applied on Greek and African traditional music
I ANTONOPOULOS
A PIKRAKIS
S THEODORIDIS
Olmo Cornelis
Dirk Moelants
Marc Leman
C1
Conference
2007
Music, movement, sound and time; Papers from the 10th Rhythm Perception and Production Workshop
Leo Van Noorden
Dirk Moelants
Editorial material
2007
The problems and opportunities of content-based analysis and description of ethnic music
Dirk Moelants
Olmo Cornelis
Marc Leman
J Gansemans
Rita De Caluwe
Guy De Tré
T Matthé
Axel Hallez
A2
Journal Article
in
INTERNATIONAL JOURNAL OF INTANGIBLE HERITAGE (SEOUL. PRINT)
2007
Walking on music
Frederik Styns
Leo Van Noorden
Dirk Moelants
Marc Leman
A1
Journal Article
in
HUMAN MOVEMENT SCIENCE
2007
2006
Ambiguity in tempo perception: What draws listeners to different metrical levels?
M MCKINNEY
Dirk Moelants
A1
Journal Article
in
MUSIC PERCEPTION
2006
Perception and performance of aksak metres
Dirk Moelants
A1
Journal Article
in
MUSICAE SCIENTIAE
2006
Pitch and tempo precision in the reproduction of familiar songs
Dirk Moelants
Frederik Styns
Marc Leman
C1
Conference
2006
Problems and opportunities of applying data-& audio-mining techniques to ethnic music
Dirk Moelants
Olmo Cornelis
Marc Leman
J Gansemans
Rita De Caluwe
Guy De Tré
Tom Matthé
Axel Hallez
C1
Conference
2006
Similarity between multi-valued thesaurus attributes: theory and application in multimedia systems
Tom Matthé
Rita De Caluwe
Guy De Tré
Axel Hallez
Jörg Verstraete
Marc Leman
Olmo Cornelis
Dirk Moelants
J Gansemans
A1
Journal Article
in
FLEXIBLE QUERY ANSWERING SYSTEMS, PROCEEDINGS
2006
Singing along with music to explore tonality
E. Heylen
Dirk Moelants
Marc Leman
C1
Conference
2006
Special issue: Papers from the 10th Rhythm Perception and Production Workshop
Leo Van Noorden
Dirk Moelants
Editorial material
2006
The speed of walking while synchronizing with music: or how to model the 2Hz resonance in human locomotion and musical tempo
Leon van Noorden
Frederik Styns
Dirk Moelants
Marc Leman
C3
Conference
2006
2005
A framework for flexible querying and mining of musical audio archives
Tom Matthé
Guy De Tré
Axel Hallez
Rita De Caluwe
Marc Leman
Olmo Cornelis
Dirk Moelants
J Gansemans
P1
Conference
2005
Digitisation of the ethnomusicological sound archive of the Royal Museum for Central Africa (Belgium)
Olmo Cornelis
Rita De Caluwe
Guy De Tré
Axel Hallez
Marc Leman
Tom Matthé
Dirk Moelants
J Gansemans
A2
Journal Article
in
IASA JOURNAL
2005
Prediction of musical affect using a combination of acoustic structural cues
Marc Leman
Valery Vermeulen
Liesbeth De Voogdt
Dirk Moelants
Micheline Lesaffre
A1
Journal Article
in
JOURNAL OF NEW MUSIC RESEARCH
2005
The influence of pitch interval on the perception of polvrhvthms
Dirk Moelants
Leo Van Noorden
A1
Journal Article
in
MUSIC PERCEPTION
2005
2004
Deviations from the resonance theory of tempo induction
M MCKINNEY
Dirk Moelants
C3
Conference
2004
Spontaneous user behavior in "vocal" queries for music-information retrieval
Micheline Lesaffre
Dirk Moelants
Marc Leman
Bookchapter
in
Music Query - Methods, Models, and User Studies
2004
Using audio features to model the affective response to music
Marc Leman
Valery Vermeulen
Liesbeth De Voogdt
Dirk Moelants
C1
Conference
2004
2003
Authentieke uitvoeringspraktijk en hedendaagse muziek.
Dirk Moelants
Bookchapter
in
Onder hoogspanning : muziekcultuur in de hedendaagse samenleving
2003
Correlation of gestural musical audio cues and perceived expressive qualities
Marc Leman
Valery Vermeulen
Liesbeth De Voogdt
Johan Taelman
Dirk Moelants
Micheline Lesaffre
A1
Journal Article
in
Lecture Notes in Artificial Intelligence
2003
Dance music, movement and tempo preferences
Dirk Moelants
C1
Conference
2003
Feldman, memory and the perception of slowness
Dirk Moelants
A2
Journal Article
in
TIJDSCHRIFT VOOR MUZIEKTHEORIE
2003
Musical content processing for artistic and scientific applications
Marc Leman
C1
Conference
2003
Proceedings of the Colloquium 'Past, Present and Future of Music and Technology': 18th Meeting of the FWO Research Society 'Foundations of Music Research'.
Book editor
2003
The MAMI Query-By-Voice Experiment: Collecting and annotating vocal queries for music information retrieval
Micheline Lesaffre
Koen Tanghe
Gaëtan Martens
Dirk Moelants
Marc Leman
Bernard De Baets
Hans De Meyer
Jean-Pierre Martens
C1
Conference
2003
User behavior in the spontaneous reproduction of musical pieces by vocal query
Micheline Lesaffre
Dirk Moelants
Marc Leman
Bernard De Baets
Hans De Meyer
Gaëtan Martens
Jean-Pierre Martens
C1
Conference
2003
2002
Computer analysis of timing in the performance of contemporary music.
Dirk Moelants
Bookchapter
in
Computer-applications in music research : concepts, methods, results
2002
Een model voor ritmeperceptie toegepast op de muziek van de 20ste eeuw
Dirk Moelants
Herman Sabbe
Marc Leman
Dissertation
2002
Goethals, Lucien
Dirk Moelants
Biography
2002
Preferred tempo reconsidered.
Dirk Moelants
C1
Conference
2002
2001
What is slow ? Timing strategies in the performance of Feldman's "Last Pieces".
Dirk Moelants
C1
Conference
2001
2000
Lucien Goethals: list of works bibliography discography
Dirk Moelants
A2
Journal Article
in
BELGISCH TIJDSCHRIFT VOOR MUZIEKWETENSCHAPPEN = REVUE BELGE DE MUSICOLOGIE
2000
Rhytm in Lucien Goethals' electroacoustic works
Dirk Moelants
A2
Journal Article
in
BELGISCH TIJDSCHRIFT VOOR MUZIEKWETENSCHAPPEN = REVUE BELGE DE MUSICOLOGIE
2000
Statistical analysis of written and performed music. A study of compositional principles and problems of coordination and expression in "punctual" serial music
Dirk Moelants
A1
Journal Article
in
JOURNAL OF NEW MUSIC RESEARCH
2000
1999
Analysis of Music using Timing Networks with Memory: Implementation and Preliminary Results.
Marc Leman
Koen Tanghe
Dirk Moelants
F CARRERAS
C1
Conference
1999
Perceptual analysis of 'aksak' meters. New Techniques in Ethnomusicology
Dirk Moelants
C1
Conference
1999
Resonance in the perception of musical pulse
L VAN NOORDEN
Dirk Moelants
A1
Journal Article
in
JOURNAL OF NEW MUSIC RESEARCH
1999
Special issue: Foundation of rhythm perception - Introduction
Dirk Moelants
Editorial material
1999
1998
Proceedings of the 2nd Meeting of the FWO Research Society on the Foundations of Music Research-Foundations of time perception
Book editor
1998
1997
A computer system for the automatic detection of perceptual onsets in a musical signal
Dirk Moelants
C Rampazzo
C3
Conference
1997
A framework for the subsymbolic description of meter
Dirk Moelants
Bookchapter
in
Music, Gestalt, and computing : studies in cognitive and systematic musicology
1997
Foundations of Time Perception, University of Ghent.
Dirk Moelants
Marc Leman
[0-9]{2}
1997
Joint international conference 96: Brugge
Dirk Moelants
A2
Journal Article
in
TIJDSCHRIFT VOOR MUZIEKTHEORIE
1997
1996
A framework for the subsymbolic description of meter
Dirk Moelants
C1
Conference
1996
Conversations with Lutoslawski
Dirk Moelants
Bookreview
1996
Digitaliseren van een complex archief: de IPEM Multimedia Databank
Dirk Moelants
A4
Journal Article
in
GENTSE BIJDRAGEN TOT DE KUNSTGESCHIEDENIS EN DE OUDHEIDKUNDE
1996