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Researcher
Bruno Forment
Profile
Projects
Publications
Activities
Awards & Distinctions
104
Results
2018
Ecokritiek = Ecocriticism
Reuben Martens
Pieter Vermeulen
A2
Journal Article
in
CAHIER VOOR LITERATUURWETENSCHAP
2018
Postcolonial studies
Nicolas Vandeviver
A2
Journal Article
in
CAHIER VOOR LITERATUURWETENSCHAP
2018
2015
'Ach, ich fühl's...': de emotionele machinerie van Gluck, Haydn en Mozart
Bruno Forment
Other
2015
'Le Roi s'amuse' und 'Rigoletto': Dramaturgie des Bühnenraums
Bruno Forment
Bookchapter
in
Rigoletto
2015
A twenty-first-century plea for vintage, heritage-friendly theater
Bruno Forment
Bookchapter
in
Theatrical heritage : challenges and opportunities
2015
Apostolo Zeno: Librettist zwischen Bühne und Studierzimmer
Bruno Forment
Bookchapter
in
Niccolò Jommelli : Berenike, Königin von Armenien
2015
Le stagioni di Jommelli: convegno internazionale nel terzo centenario della nascita di Niccolò Jommelli: Aversa and Naples, 5-7 December 2014
Bruno Forment
Sergio Morabito
A1
Journal Article
in
EIGHTEENTH-CENTURY MUSIC
2015
Sense meets sensibility
Bruno Forment
Other
2015
The mechanics of magic (or vice versa): Sigrid T'Hooft and the historically informed performance of opera
Bruno Forment
Bookchapter
in
Theatrical heritage : challenges and opportunities
2015
Theatrical heritage: challenges and opportunities
Book editor
2015
2014
Didone abbandonata e ritrovata
Bruno Forment
Bookchapter
in
Classic with a twist : programmaboek
2014
Fénelon's operatic novel: audiovisual topoi in télémaque and their representation in opera
Bruno Forment
Bookchapter
in
Fénelon in the enlightenment : traditions, adaptations, and variations
2014
Iphigenie gegen die Gewalten der Finsternis, oder: Reformoper als Schocktherapie mit aufklärerischer Wirkung
Bruno Forment
C1
Conference
2014
Lost, but partially recovered: the original stock sets of the Bourla
Bruno Forment
C3
Conference
2014
2013
'Herrlich und hehr!' Mozarts serenades voor blazers KV388 & 361
Bruno Forment
Other
2013
Artaserse
Bruno Forment
Newsarticle
2013
De muzikale nationaliteiten van Georg Philipp Telemann
Bruno Forment
Other
2013
De theaterdecorateur als binnenhuisarchitect: de interieurdecors van Albert Dubosq (1863-1940) vanuit historisch-typologisch perspectief
Bruno Forment
C3
Conference
2013
Jumbo-sized artifacts of operatic practice: the opportunities and challenges of historical stage sets
Bruno Forment
A2
Journal Article
in
MUSIC IN ART
2013
Music-making ghosts: eighteenth-century Rome as operatic memory machine
Bruno Forment
Bookchapter
in
Music and the city : musical cultures and urban societies in the Southern Netherlands and beyond, c. 1650-1800
2013
Verdi in the Belgian province: the 'Aïda' and 'Rigoletto' scenery of Albert Dubosq
Bruno Forment
C3
Conference
2013
Vivaldi, modernist!
Bruno Forment
Other
2013
2012
'Alla Nobiltà Romana… La scena è in Roma': the performance of Roman identity and memory in Jommelli's opere serie
Bruno Forment
C3
Conference
2012
(Dis)embodying myths in ancien régime opera : multidisciplinary perspectives
Book editor
2012
Addressing the divine: the 'numinous' accompagnato in opera seria
Bruno Forment
Bookchapter
in
(Dis)embodying myths in ancien régime opera : multidisciplinary perspectives
2012
Ancient Rome in early opera: by Robert C. Ketterer
Bruno Forment
Bookreview
2012
De zwanenzang van een illusie: de historische decors van de Kortrijkse Schouwburg
Bruno Forment
A4
Journal Article
in
STEPP (BRUSSEL)
2012
Et in Arcadia 'Monsù Endel'
Bruno Forment
Other
2012
Frederick's Athens: crushing superstition and resuscitating the marvellous at the Königliches Opernhaus, Berlin
Bruno Forment
A1
Journal Article
in
CAMBRIDGE OPERA JOURNAL
2012
Italian opera 'under the Belgian climate': the 1727-30 seasons at the Monnaie
Bruno Forment
A2
Journal Article
in
JOURNAL OF THE ALAMIRE FOUNDATION
2012
Jumbo-sized artifacts of operatic practice: the opportunities and challenges of historical stage sets
Bruno Forment
C3
Conference
2012
Maria Magdalena: de muzikale erfenis van een misverstand
Bruno Forment
Newsarticle
2012
Maria Magdalena: de muzikale erfenis van een misverstand
Bruno Forment
Bookchapter
in
Triste plaisir et douloureuse joye
2012
Preface
Bruno Forment
Editorial material
2012
Spectatorship and involvement in Gluck’s Iphigénie en Tauride
Bram Van Oostveldt
Bookchapter
in
(Dis)embodying myths in ancien régime opera : multidisciplinary perspectives
2012
Stefano Tcharos Opera’s orbit: musical drama and the influence of opera in Arcadian Rome
Bruno Forment
Bookreview
2012
Triste plaisir et douloureuse joye
Bruno Forment
Bookchapter
in
Triste plaisir et douloureuse joye
2012
Vintage Puccini on a shoestring budget: reflections on the Mansard, Café Momus and newly-discovered artifacts of La Bohème’s early career
Bruno Forment
C3
Conference
2012
2011
De mechaniek van de magie (of andersom): een gesprek met Sigrid T'Hooft over HIP
Bruno Forment
Sigrid T'Hooft
Bookchapter
in
Opera : achter de schermen van de emotie
2011
Een belofte ingevuld: Zelenka's Missa votiva (1739)
Bruno Forment
Bookchapter
in
Testament : lofzang op het leven en de dood
2011
In kleur en op ware grootte: de operadecors van Albert Dubosq
Bruno Forment
Bookchapter
in
Opera : achter de schermen van de emotie
2011
Jules Massenet: Thäis. DVD. Gianandrea Noseda / Orchestra and chorus of the Teatro Regio Torino
Bruno Forment
Other
2011
Nieuwe passiecantate gezocht: Duitstalig, flexibel
Bruno Forment
Other
2011
Twee Venetianen, rug tegen rug
Bruno Forment
Other
2011
2010
An enigmatic souvenir of Venetian opera: Alessandro Piazza’s Teatro (1702)
Bruno Forment
A1
Journal Article
in
EARLY MUSIC
2010
Galante religiositeit uit Napels en Venetië
Bruno Forment
Other
2010
Habsburg opera under the 'Belgian climate': three Italian seasons at the Théâtre de la Monnaie, 1727-1730
Bruno Forment
C3
Conference
2010
Italian opera under the Belgian climate: the Peruzzi and Landi imprese in Brussels, 1727-1730
Bruno Forment
C3
Conference
2010
Jommelli's 'tenacious memory': reminiscences in L'Ifigenìa (1751)
Bruno Forment
A1
Journal Article
in
STUDI MUSICALI
2010
Jules Massenet: Manon. DVD. Jesús Lopez-Cobos / Orchestra and choirs of the Opéra national de Paris
Bruno Forment
Other
2010
Memoria technica, or: the art of retention in the long eighteenth century
Bruno Forment
C3
Conference
2010
Music-making ghosts: 18th-century Rome as operatic memory machine
Bruno Forment
C3
Conference
2010
Recovering the color and dimensions of Belle Époque opera: Albert Dubosq's forgotten stock scenery
Bruno Forment
C3
Conference
2010
The gods out of the machine … and their comeback
Bruno Forment
Bookchapter
in
Ancient drama in music for the modern stage
2010
Venetian opera revisited: Alessandro Piazza's 'Teatro' (1702)
Bruno Forment
Bookchapter
in
The world of Baroque theatre : a compilation of essays from the Český Krumlov conferences 2007, 2008 and 2009
2010
Zwanenzangen en… kuikengetjilp? Over ‘vroegheid’ bij Mozart, Mendelssohn en Strauss
Bruno Forment
Other
2010
‘Sous le dôme épais où le blanc jasmin à la rose s’assemble’: revisiting the garden scenery of Albert Dubosq (1863-1940)
Bruno Forment
C1
Conference
2010
2009
Albinoni’s hoboconcerti opus 7 en 9
Bruno Forment
Other
2009
An unknown souvenir of Venetian opera
Bruno Forment
C3
Conference
2009
De historische repertoiredecors in de Kortrijkse Stadsschouwburg (1914-20)
Bruno Forment
A4
Journal Article
in
HANDELINGEN VAN DE KONINKLIJKE GESCHIED- EN OUDHEIDKUNDIGE KRING VAN KORTRIJK
2009
Opera and sovereignty: transforming myths in eighteenth-century Italy
Bruno Forment
Bookreview
2009
Rousseau and operatic subject matter: critical reflections on the Dictionnaire de musique (1768)
Bruno Forment
C3
Conference
2009
Surrounded by scenery: what Disney can teach us about visual immersion in the 'dramma per musica'
Bruno Forment
C1
Conference
2009
Surrounded by scenery: what Disney can teach us about visual immersion in the dramma per musica
Bruno Forment
Bookchapter
in
Oper als 'Gesamtkunstwerk' : zum Verhältnis der Künste im barocken Musiktheater
2009
Trimming scenic invention: oblique perspective as poetics of discipline
Bruno Forment
A2
Journal Article
in
MUSIC IN ART
2009
Venetian opera revisited: Alessandro Piazza's 'Teatro' (1702)
Bruno Forment
C3
Conference
2009
Vier ongewone klassiekers op een nieuw voetstuk
Bruno Forment
Other
2009
2008
Apostolo Zeno: a librettist caught between his study and the stage
Bruno Forment
A4
Journal Article
in
GOLDBERG (NOAIN. ENGLISH ED.)
2008
Apostolo Zeno: un libretista atrapado entre el estudio y la escena
Bruno Forment
A2
Journal Article
in
GOLDBERG (NOAIN. ED. EN ESPANOL)
2008
Moonlight on Endymion: in search of 'Arcadian opera', 1688-1721
Bruno Forment
A2
Journal Article
in
JOURNAL OF SEVENTEENTH-CENTURY MUSIC
2008
Qual oracol tremendo!: operatic responses to the supernatural in mid-eighteenth-century Berlin
Bruno Forment
C3
Conference
2008
Trimming scenic invention: oblique perspective as poetics of discipline.
Bruno Forment
C1
Conference
2008
2007
La Senna Festeggiante, of: De Venetiaanse kanalen verbonden met de Seine
Bruno Forment
Other
2007
La terra, il cielo e l'inferno: the representation and reception of Greco-Roman mythology in opera seria
Bruno Forment
Francis Maes
Dissertation
2007
The gods out of the machine... and their come-back
Bruno Forment
C3
Conference
2007
2006
Addressing the Divine: the 'Numinous' Accompagnato in Opera Seria
Bruno Forment
C1
Conference
2006
Characters or situations?: structural reflections on Jommelli’s L'Ifigenìa (1751)
Bruno Forment
C3
Conference
2006
From effeminato to virtuoso: the inscription of gender patterns in Alessandro Scarlatti's "Telemaco" (1718)
Bruno Forment
C1
Conference
2006
Mozart in Salzburg, 1772-5
Bruno Forment
Other
2006
Telemachus and Italian opera: the inscription of Fénelonian gender ideology in Scarlatti’s Telemaco (1718)
Bruno Forment
C3
Conference
2006
2005
'Aci, Galatea e Polifemo' (1708) en het verglijden van de tijd
Bruno Forment
Other
2005
Dall' 'effeminato' al 'virtuoso': modelli d’identità di genere nel 'Telemaco' (1718) di Alessandro Scarlatti
Bruno Forment
A1
Journal Article
in
RIVISTA ITALIANA DI MUSICOLOGIA
2005
Der sterbende Heiland (1764). Een vergeten passiecantate van Johann Wilhelm Hertel
Bruno Forment
Other
2005
Sarro en Vivaldi: twee capricieuze vedutisten?
Bruno Forment
Other
2005
Wie draagt de kroon? Kanttekeningen bij 'La Corona'
Bruno Forment
Other
2005
2004
Che fiero martire - Christus' lijdensweg. Jan Dismas Zelenka's Gesù al Calvario
Bruno Forment
Biography
2004
Feestelijke ouvertures uit de Laat-Barok
Bruno Forment
A4
Journal Article
in
Concert-Info Koninklijk Conservatorium Brussel
2004
Johann Friedrich Fasch als hofleverancier voor de orkesten van Darmstadt en Dresden
Bruno Forment
Other
2004
La Terra, il Cielo ed il Sotterraneo. A study of the foundations of the representation and reception of classical mythological themes in eighteenth-century dramma per musica. (abstract)
Bruno Forment
C3
Conference
2004
Spelen, blazen, zingen en fluiten. Mozart in Harmonie-arrangement
Bruno Forment
Other
2004
Splendid isolation? Haydn en Boccherini in dialoog
Bruno Forment
Other
2004
2003
A Manifesto for 21st Century Classical Concerts
Bruno Forment
A4
Journal Article
in
Naxos
2003
Antigona (1772). Een ?ganz göttliche Oper? van Tommaso Traetta en Marco Coltellini
Bruno Forment
Other
2003
Herbronning: concerti voor twee, drie en vier klavecimbels van Johann Sebastian Bach
Bruno Forment
Other
2003
Promenade doorheen de schemerzone. Een wandelroute langs symfonieën en concerto's van Mozart, Monn, Bach en Beck
Bruno Forment
Other
2003
Vernunft, Weisheit, Natur. De encyclopedische 'Zauberflöte'
Bruno Forment
Other
2003
2002
De glorie van het paradijs: Napolitaanse muziek uit de Laat-Barok
Bruno Forment
Other
2002
Metastasio benaderd door Mozart: een achttiende-eeuws voorbeeld van musico-theatrale adaptatie
Bruno Forment
A2
Journal Article
in
DOCUMENTA
2002
Ruth Crawford (Seeger)
Bruno Forment
A4
Journal Article
in
Classical Composers Database
2002
Toetsend op de tast getest: preludes van Ravel, Debussy, Ligeti, Chin, Crawford Seeger en Cox
Bruno Forment
Other
2002
2001
The music of sound: Brandon LaBelle
Bruno Forment
Music review
2001
The triumph of spirit over matter
Bruno Forment
A2
Journal Article
in
DOCUMENTA
2001
[Pro memorie]: muziek als herinnering en verbeelding. Memorabilia en memoranda bij orkestmuziek van Mozart, Schubert en Weber
Bruno Forment
Theatrereview
2001
2000
Foei, hoe lekker! Het postmodernisme in de muziek
Bruno Forment
Artistic work
2000