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Researcher
Astrid Harth
Profile
Projects
Publications
Activities
Awards & Distinctions
16
Results
2021
Albrecht Dürer's iconic image of Saint Jerome : making, meaning and reception
Astrid Harth
Maximiliaan Martens
Bookchapter
in
Dürer's journey's : travels of a Renaissance artist
2021
Dürers berühmtes Bildnis des heiligen Hieronymus : Entstehung, Bedeutung und Rezeption
Astrid Harth
Maximiliaan Martens
Bookchapter
in
Dürer was hier : Eine Reise wird Legende
2021
Emulation, imitation & replication? The art of copying in the age of religious reform and artistic progress (ca. 1520-66)
Astrid Harth
Koenraad Jonckheere
Maximiliaan Martens
Dissertation
2021
Mastering divine faces : Titian's sacred images of Christ and the Virgin for Charles V
Astrid Harth
Bookchapter
in
Copies of Flemish masters in the Hispanic world (1500-1700) : Flandes by substitution
2021
2020
Seeing God’s glory : Van Eyck's optical lore in the sixteenth century
Astrid Harth
Frederica Van Dam
Bookchapter
in
Van Eyck : an optical revolution
2020
2019
In situ and laboratory analysis on the polychromy of the Ghent Pantheon cork model by Antonio Chichi
Anastasia Rousaki
Possum Pincé
Sylvia Lycke
Astrid Harth
Maximiliaan Martens
Luc Moens
Patrick Monsieur
Peter Vandenabeele
A1
Journal Article
in
EUROPEAN PHYSICAL JOURNAL PLUS
2019
2018
Between noble judgement and artistic taste : Titian and Coxcie’s images of Christ and the Virgin for Charles V
Astrid Harth
C3
Conference
2018
False judges and abominable misjudgment
Astrid Harth
Bookchapter
in
Call for justice : art and law in the Low Countries (1450-1650)
2018
Lancelot Blondeel : Madonna with Saints Luke and Eligius
Astrid Harth
Bookchapter
in
Forgotten masters : Pieter Pourbus and Bruges painting from 1525 to 1625
2018
Lancelot Blondeel : the death of general Marcus Licinius Crassus
Astrid Harth
Bookchapter
in
Forgotten masters : Pieter Pourbus and Bruges painting from 1525 to 1625
2018
‘Off with her head! Off with …’
Astrid Harth
Bookchapter
in
Call for justice : art and law in the Low Countries (1450-1650)
2018
2017
The young Van Dyck’s fingerprint : a technical approach to assess the authenticity of a disputed painting
Astrid Harth
Geert Van der Snickt
Olivier Schalm
Koen Janssens
Griet Blanckaert
A1
Journal Article
in
HERITAGE SCIENCE
2017
‘Standing on the shoulders of giants’ : copying and the Habsburg collection policy
Astrid Harth
C3
Conference
2017
2016
Assessing issues of attribution by means of technical research : a disputed Van Dyck reconsidered
Astrid Harth
Olivier Schalm
Geert Van der Snickt
Koen Janssens
C3
Conference
2016
Reframing ornaments and decorative motifs : the importance of an abundant style in early 16th-century Netherlandish copying practices
Astrid Harth
C3
Conference
2016
2015
Comparison of x-ray absorption and emission techniques for the investigation of paintings
Ana Cabal
Olivier Schalm
Peter Eyskens
Peter Willems
Astrid Harth
Piet Van Espen
A1
Journal Article
in
X-RAY SPECTROMETRY
2015